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Sunday, June 26, 2022

Vipers III: Transformers and the Star of Remphan

 Previously: Vipers II: The Mystery Religion of Nimrod


Lucifer, the god of this world, goes by many names, and over the centuries has taken many forms, one of which is a planetary orb we are all too familiar with. The worship of this orb has influenced multiple facets of our culture and civilization, even down to the movies we watch, the government we labor under, and the names of the days of the week. We celebrate its "divinity" every year on December 25, we read its story in fantasy novels, and we see its symbolism all around us. In fact, we have all subliminally downloaded this story deep into the recesses of our subconscious minds. That is why when you hear the truth about this orb, it will sound familiar to you. I'm talking about the planet Saturn, the Black Sun, the Dark Lord, the Lord of the Rings, also called Kronos, or Father Time, and the Grim Reaper. To the Babylonians, he was Tammuz, to the Egyptians, Osiris, to the Greeks, Kronos, the Romans, Saturnalia, and to the Israelites, the star of Remphan. Saturn was more than a planet, it was also a star. Stars and planets were considered synonymous in many ancient cultures. According to Immanuel Velikovsky and Anthony E. Larsen, before the flood Saturn was much closer to the earth, along with Mars and Venus, in what is referred to as the Polar Configuration (a termed coined by comparative mythologist David Talbott). This was an alignment of Saturn, Venus, and Mars that could be easily seen from earth, and looked something like this:


The column of light that often descended from Mars would appear as a red mountain, and according to Larsen, this is where a lot of imagery from the scriptures comes from. For example, the phrase, being "caught up to an exceedingly high mountain." This configuration is also the source of pagan worship. Depending on the way the sun was hitting these planets, during different seasons and astronomical events, Venus could be invisible except for a crescent that appeared as outstretched hands or bull horns. It looked something like this:


This was known as the Heaven Man or the Bull of Heaven. In my last post I went over the deification of Nimrod and his being associated with horns, which was symbolic of his subjugation of both animals and people. When you combine a man and a bull you get a Minotaur, the ancient Grecian mythological creature with a bull's head on the body of a man. The pagan god Molech was represented this way, as I also showed in my last piece, and today his followers worship him as a horned owl, as seen in the image below:


This picture was taken in the 2700-acre private California campground known as Bohemian Grove, where elites from both political parties meet together every year for two weeks to engage in sadistic sex magic rituals performed to venerate pagan gods. Many presidents have attended, including Reagan, Nixon, Bush Sr. and Jr., Clinton, and others. Notice that the raging fire at the base of the owl is reminiscent of the depiction of the ancient Israelites passing their children through the fire of Molech. If you missed my last post. Here it is:

Children are still sacrificed to these gods today, both through Satanic ritual abuse and abortion laws that allow parents to kill their own babies. Since Roe v Wade (which by the way was recently overturned and given back to the states) over seventy million children have been "legally" murdered in America. To put that in perspective, that's about the same the number of Chinese citizens that Mao Zedong massacred during his brutal communist dictatorship. This idea of human sacrifice has always been the core concept of pagan worship. Some of the most ruthless dictators like Lenin, Stalin, and Hitler were steeped in the occult. Volumes could be written about the Third Reich's fascination with occult symbols, the idea of a master race (Nehpilim), Saturn, sex magic rituals, astral projection, channeling of demonic entities, witchcraft, sorcery, and soothsaying. I can't get into all of that in this post, but to give you an idea of just how committed Hitler was to serving pagan gods, you should know where the word Holocaust derives from. It comes from the Latin holocaustum and the Greek holokauson which literally means, "sacrifice by fire," a "burnt offering," or "a thing wholly burnt." Holos mean "whole," and Kaustos means "to burn." Just wrap your head around that for a few minutes. Six million Jews sacrificed to a pagan god. But why? and which god? 

To answer that requires a look at the symbolism. We are all too familiar with the swastika, but have we ever stopped to think about where this symbol comes from? The swastika is nothing but the cross of the Zodiac with the outer edges bent in the shape of sun rays. It is a shortened version of the Nazi symbol for the Black Hole Sun, which is a symbol for, you guessed it, Saturn. It looks like this:


In the ancient Polar Configuration, Saturn was so bright that it was almost like a second sun, and secret societies have referred to it over the centuries as the Black Sun. According to Alister Crowley, the famous occultist, Saturnas was an acronym for Satan, and a representation of Lucifer, the "light bearer." Saturn was a source of light but also a source of darkness, hence the name the Dark Lord. There seems to be an obsession with the color black in occultic circles, politics, and even music. Judges wear black robes, and entire music genres seem to have a black theme. A few examples are Metallica's "Black" album, the band Black Sabbath, the Rolling Stones song, "Paint it Black," and Soundgarden's song, "Black Hole Sun." Here is a list of 50 songs with the word black in the title. Whether these artists knew the occult meanings of the color is irrelevant, but they were being influenced by something. In fact, many of them do know where these things come from, and are so into the occult that many of their songs have been channeled by demonic entities. Some examples are Black Sabbath, who have a song called, "Mr. Crowley," a tribute to Alister Crowley himself, Marilyn Manson, the Beatles, Led Zeppelin (Jimi Page bought Alister Crowley's old house), Katy Perry, the Red Hot Chili Peppers (they have a song called "Blood Sugar Sex Magic"), and the English band Coil. I could do an entire post on music and the occult, but I just wanted to make the point that much of popular music is dominated by Saturn worship. 

In the New Testament there is a single verse referencing the star of Remphan. It was an utterance made by Stephen just before he was stoned to death. He was making a link between Moloch and the star of Remphan, which is, as we shall see, the planet Saturn. Here is what Stephen said minutes before his death as he was calling out the Sanhedrin. He was quoting God Himself, who said this to the ancient Israelites:
And they made a calf in those days, and offered sacrifice unto the idol, and rejoiced in the works of their own hands.
Then God turned, and gave them up to worship the hosts of heaven; as it is written in the book of the prophets, O ye house of Israel, have ye offered to me slain beasts and sacrifices by the space of forty years in the wilderness?
Yea, ye took up the tabernacle of Moloch, and the star of your god Remphan, figures which ye made to worship them: and I will carry you away beyond Babylon. (Acts 7:41-43)

According to the Strong's Concordance, the word Remphan is connected to an ancient Egyptian idol (kijun), and who did the Egyptian's worship? Osiris, also known as Sirius, who was Saturn to the Romans. The calf was depicted as a bull, which they placed in a tabernacle or tent. Stephen says they offered sacrifice to the idol, but he doesn't say what. It was most likely human sacrifice. Moses was gone for forty days fasting and speaking to God at Sinai, and the children of Israel must've grown impatient and reverted back to the old religion they practiced in Egypt. The phrase "hosts of heaven" comes from the Greek word stratia, meaning "heavenly bodies, " or "the stars of heaven." The word star comes from the Greek astron, meaning "constellation," which is where we get the prefix astro from, as in astrology or astronomy. To the ancients, Remphan or Saturn was a wandering star. There are some fascinating physical characteristics about Saturn that made it an occultic object of worship. Besides its obvious rings, it contains a storm in its Northern hemisphere with a perfectly symmetrical hexagram, being exactly 9000 miles between each of its six points. The storm has a swirling vortex resembling a portal, with what looks like an eye in the center of it. 

The Seal of Solomon

Here is an image of the storm provided by NASA (an organization that also has occult beginnings stemming from Operation Paperclip and Nazism):




This is where the icon for the six-pointed star came from. It was a representation of Saturn's hexagonal storm, and a numerological and geometrical symbol for the number 666. You're probably wondering how the ancients saw this hexagram without the advanced telescopes we use today. Again I refer you to the work of Immanuel Velikovsky and Anthony E. Larsen, who postulate that Saturn was much closer to the earth before and after the flood, which means it was likely that this storm was seen with the naked eye. Also consider the possibility that the antediluvians possessed highly advanced technology. It has only taken us a few hundred years to go from horse-and-buggy to the technological age before us today. Is it not also plausible that before the flood such a technological state could've been achieved? 

The hexagonal storm of Saturn is represented inside this image of the six-pointed star, or what we know as the "Star of David," as displayed on the flag of Israel:


In reality, it has nothing to do with Israel but was actually the Seal of Solomon, who became obsessed with the occult and began building monuments to pagan deities, as his father David also had (the JST rendition below makes that clear) 1 Kings describes Solomon's fall into pagan worship, mostly influenced by his many wives and concubines:
And he had seven hundred wives, princesses, and three hundred concubines: and his wives turned away his heart. 

For it came to pass that when Solomon was old, that his wives turned away his heart after other gods: and his heart was not perfect with the Lord his God, and it became as the heart of David his father. 

For Solomon went after Ashtoreth the goddess of the Zidonians, and after Milcom the abomination of the Ammonites. 

And Solomon did evil in the sight of the Lord, as David his father, and went not fully after the Lord. 

Then did Solomon build an high place for Chemosh, the abomination of Moab, in the hill that is before Jerusalem, and for Molech, the abomination of the children of Ammon. 

And likewise did he for all his strange wives, which burnt incense and sacrificed unto their gods.  

And the Lord was angry with Solomon, because his heart was turned away from the Lord God of Israel, which had appeared unto twice,  

And had commanded him concerning this thing, that he should not go after other gods: but he kept not that which the Lord commanded. (1 Kings 11:3-10, JST changes are in italics) 

Solomon cut a trade deal with the Queen of Sheba, and every year he received 666 talents of gold, which is a curious number to say the least. It just so happens that the Seal of Solomon is a numerological symbol for that number. When you look at the symbol you see six triangles, six points, and the six-sided hexagram. Also notice that one triangle is pointing up and one is pointing down, representing the "as above, so below" philosophy. In the book of Revelations, John tells us that the number of the beast is also the number of a man. God created man on the sixth day, out of the dust of the earth, and the atoms that make up the dust contain, wait for it, six protons, six neutrons, and six electrons. God rested on the seventh day, His day, and the number seven represents perfection, so as you can see, the number 666 is a humanistic number, attempting to deify humanity in defiance of God. Remember that these people, the generation of Vipers, believe they can become gods themselves, without the need to be saved by Christ. 

Now there is one more aspect to the Seal of Solomon that leads to the number six, and that is the cube, which has six sides and is three-dimensional. It fits neatly into the pentagonal shape as seen below:


The cube has long been a symbol of the planet Saturn, and is often portrayed as black and containing magical powers. Occultic author Arthur Moros wrote a Grimoire (a book of magic) entitled, The Cult of the Black Cube: A Saturnian Grimoire. It is a step-by-step guide to harness the "magic" power of the cube. Although it sounds crazy, magic is real, it is just a higher form of science called quantum physics. Mormon tells us that "magic art" had physiological effects upon the Nephites. There was a curse upon the land that kept them from holding onto their treasures, which had become slippery:

And it came to pass that the Nephites began to repent of their iniquity, and began to cry even as had been prophesied by Samuel the prophet; for behold, no man could keep that which was his own, for the thieves, and the robbers, and the murderers, and the magic art, and the witchcraft which was in the land. (Mormon 2:10)

The cube has also been and is worshipped by certain religious groups. For instance, every year thousands of Muslims make a trek to Mecca to pay homage to a giant black cube (15 meters tall), knowns as the Ka'abe (also associated with the Jewish word, Kabbalah, or Cabala), which means, you guessed it, cube. Inside the cube is a "black stone," actually a meteorite that Muslims believe represents the covenant between Abraham, Ishmael, and God. They literally surround the cube in a giant circle and pray to it, which resembles a swirling vortex surrounding the storm in Saturn. The Mediation Room at the UN headquarters also has a black cube inside of it that represents the "god" of this world. And when college and high school students graduate, they wear square hats with hanging tassels. The hats represent Saturn, the god of punishment (law and order) who provided the controlled curriculum they have been trained in, and the tassels are talismans, or symbols of magic. 


Cubes have also been prevalent in popular culture. For instance, the Borg in Star Trek, the evil humanoid looking monsters, had a mother ship in the shape of a giant cube. It looked like this:


The Borg were controlled by a queen, and were of a hive mentality. In other words, they shared one mind. Interestingly enough, John described those kings who shared one hour with the beast as also having "one mind." Is this where we get the idea of zombies from? People losing their ability to think for themselves and become part of a mindless insect colony? New-agers have a term for this phenomenon, it's called "collective consciousness." 
For those of you who have younger children you will probably remember the movie Home that came out in 2015. The bad aliens were called the Gorg, which is close to Borg, and instead of a cube their mother ship consisted of concentric triangles, or triangles within triangles, which is also an occult symbol. And remember when the main character found the Gorg super chip that powered their space craft? It also was made of concentric triangles, and had the exact color scheme as the Borg cube you see above:

You can also see the green outlines of squares or cubes in the super chip. This is how they subtly indoctrinate your children in the imagery and symbolism of the occult, and more specifically, Saturn worship. The cube also represents the Matrix, or the prison we find ourselves in on this mortal earth. What do I mean? We live in a fallen world, fallen because Adam and Eve introduced sin and death by partaking of the forbidden fruit. This is why we need Jesus, a Savior, to return to God's presence. The movie The Matrix describes this prison as one for your mind, meaning that our ignorance is what keeps us from discovering the "real" world. The elites who are part of Mystery Babylon believe they can escape this prison through the intellect, which is how they transcend into a higher state a consciousness. As far as they are concerned, the rest of us can stay in the Matrix, or the cube. And it is not a coincidence that a prison cell is also in the shape of a cube, having six sides, four walls and a floor and ceiling. Notice that the "code" for the Matrix is also portrayed with the same colors as the Borg mothership and the Gorg super chip:

Hollywood is loaded with occult symbolism and dominated by secret societies. The name Hollywood itself in an allusion to magic. The ancient Druids would fashion magic wands from the wood of Holly trees. Merlin the wizard, from the legend of King Arthur, was said to have made his wand from Hollywood. The messages in movies contain both exoteric and esoteric meaning. The more obvious is for us, the profane. These are the feel good messages, the environmentalism, the veneration of soldiers, socialistic propaganda, the LGBT agenda, among many others. The esoteric messages, however, are cleverly and subtly placed in plain sight, and are known only to Mystery adepts and the occasional conspiracy nerd who spends more time reading than socializing. To the other 99% movies are just considered entertainment with the occasional political propaganda from this party or the other. Nothing is further from the truth. 

Movies, television, and entertainment are means to prepare your mind for the deception that is to come in the future. They have to get you familiar with the story of the Anti-Christ, the Fallen Angels, DNA manipulation, hybridization, transhumanism, witchcraft, sorcery, Saturn, the bottomless pit, other dimensions, portals, aliens, and men of renown, or heroes. They have to program this stuff deep into the recesses of your subconscious mind so that when they present the real thing to you in years or even decades from now, it will seem familiar to you. This is all been carefully planned, we are just lab rats in a mental cage, being injected with propaganda to see what we will do with it. There is one modern movie series that tells this story in a painfully obvious way. As a kid growing up in the 1980s, I associated the characters in these movies, mechanical robots with artificial intelligence, with heroes who came to planet earth to save mankind. Of course back then they only existed in cartoons, but they were heroes nonetheless. Today we see them in high def, on the background of computer generated special effects and graphics, fighting alongside the U.S. military, kickin' ass and takin' names. Yes, I'm talking about Transformers. 

More Than Meets The Eye

A few months ago my son made me watch every Transformers movie with him in less than a week. And they are a extremely long, like 2.5 hours each, and cheesy. I will admit there was some really cool special effects, but for the most part it was a chore to get through them all. But as I watched I noticed some themes that seemed extremely esoteric, and I wondered if there was a hidden message being portrayed. Well I was right, but it took finding a YouTuber, who is much smarter than me, to point out everything out, and when I took notes on his video it filled up over three pages of a Word document single-spaced. I'll try to condense and paraphrase it for you, but these movies are loaded with esoteric material, specifically Saturn worship, transhumanism, and allusions to Fallen Angels. The video is a little over an hour and very well done. I highly recommend it, especially if you're a fan of Transformers or have seen the movies or cartoons. This guy's channel is called White Rabbit. Check it out. 


The esoteric message of Transformers was being disseminated even in the 1980s when the cartoons came out. If you watch the intro to the old cartoons, you see Transformers falling from the sky, a flash of the planet Saturn, a train falling into a pool of lava, representing Hades, which then fades to an image of a net or matrix, with a worm-hole like configuration representing a portal or vortex, and finally, a flash of an unfinished pyramid. This is the entire story of the Fallen Angles in a thirty second introduction. They "fell" to the earth, spread their seed, got sent to hell by the Archangels, and are waiting to come back to earth through a portal, which has something to do with the planet Saturn.

Now before I get into the actual movies, I want to reiterate the point that I DO NOT subscribe to the Fallen Angel theory as espoused in the book of Enoch and other Apocryphal works (the idea that angels came to earth and copulated with mortal women to produce giants). The Joseph Smith translation of the Bible, specifically Moses chapter 8, seems to describe the "sons of God" as regular mortal people who rejected the gospel as preached by Noah. But they do, in verse 21, assert that they are "eating and drinking, and marrying, and giving in marriage," and their "wives bear unto" them children who are "mighty men, which are like unto men of old, men of renown." They are describing their sons as heroes with superhuman strength and abilities, which is exactly what it means to be mighty. The book of Moses also tells us that were giants on the earth in those days, and I do not think it coincidence that Transformers are being portrayed as both heroes and giants. How did the giants come to be on the earth? God does not reveal that. But the scripture also says that "all flesh had corrupted its way upon the earth," which implies some kind of DNA alteration. In the 2014 Transformers movie, The Age of Extinction, the actor portraying the head of a big tech company, Stanley Tucci, makes the following statement to Optimus Prime:
I broke the code. I own your whole genome. We can make you now. Don't you get it? We don't need you.

Here may be a clue as to the true origin of giants and "Fallen Angels." Perhaps technology became so advanced in the antediluvian epoch, that man was able to create chimera bodies in the form of giants by manipulating the code of DNA, which bodies became  possessed by evil spirits. The Old Testament informs us that these giants had six fingers on each hand, and six toes on each foot, and some non-Biblical accounts describe them as having two rows of teeth. Clearly, they were not created in the image of God, so how could they be His creation? This is obviously speculation, but it seems that the powers that be love to insert bits and pieces of the truth into movies and entertainment, and maybe this line from Tucci is a clue to what is really happening here. But regardless, it's not about what I believe, it's about what they, the elite, the Luciferians, believe, because that is what affects us. And these movies are full of references to their Mystery Religion and their plans for a New World Order. Let's begin with the first movie that came out in 2007, the original Transformers starring Shia Labeouf and Megan Fox.

So right off the bat this movie begins the opening scene with an image of a cube floating through space. Later on in the film we learn that it is the Allspark, the magical cube that is the source of all "spark" and life for transformers. During this scene the voice of Optimus Prime is heard saying the words, “before time began.” Associating the cube with time is a direct reference to Saturn, who was also Kronos, or Father Time. The movie producers are announcing what god the film is dedicated to. 

When Shia Lebeouf's character, Sam Witwicky is introduced, the scene flashes an image of an old alarm clock showing the time 9:11. This number has a deep esoteric meaning. It is the symbol for skipping, or going around God. Numbers have meaning to both God and Satan. The number of a man is six, as I have pointed out earlier in this post, and God's numbers are seven and ten. Seven is associated with perfection and 10 is associated with completion. 911 is a numerological symbol for rejecting the idea of a Savior, it is extremely Anti-Christ. 9 + 11 equals twenty, which is how they arrive at another "complete" number while skipping ten. The number 13 represents the 12 constellations of the zodiac plus the sun, or Jesus and the twelve apostles (they love to steal and twist symbolism and numerology from the true God), and 20 + 13 equals 33, the highest level in Freemasonry. Additionally, the number 911 is symbolic of the Mystery adepts moving beyond, or transcending the cube (the mortal prison) without God, or through intellect alone. When you call 911 for an emergency, you are relying on man to save you, not God, alluding to the idea of trusting "in the arm of flesh." When the Twin Towers came down on 911 this was on occultic announcement to the world that the old economy was being destroyed to make way for the beast system. New bureaucratic agencies like Homeland Security and unconstitutional laws like the Patriot Act were put in place to augment this change. This inside job not only destroyed some of the last vestiges of freedom for American citizens, it also was a numerological symbol of open rebellion against God Himself. To further demonstrate this they also lined building 7 (God's number) with explosives and brought it down later that day. And we can all remember Dan Rather uttering, in an almost mocking tone, the following statement:
the collapse of this building... amazing... incredible... pick your word. For the third time today, it's reminiscent of those pictures we've all seen too much on television before when a building is deliberately destroyed by well-placed dynamite to knock it down. 

The Twin Towers themselves were symbols of the pillars of Hercules, or Jachin and Boaz, the two pillars on either side of the entrance to Solomon's Masonic temple. In Masonic lore these pillars represent a gateway, or passage into another realm, or advancing into the next level of initiation. Plato, a Mystery school adept, taught that the pillars of Hercules (i.e., rock outcroppings that lead into the Straight of Gibraltar) was a gateway to the lost city of Atlantis. The Transformers movies are also full of pillar symbolism, which as you will see represent opening up a portal to another dimension. 

When Sam is going to buy his first car with his dad, he finds Bumblebee, the yellow and black 1977 Camaro, and the car salesman, played by Bernie Mack, says the words, "it's a mystical bond between man and machine," which is an illusion to transhumanism and AI. This idea that the human genome is not enough by itself, that it needs technology to somehow evolve to a higher state of transcendence. When Sam is giving a school presentation on his grandfather Witwicky, he holds up the broken glasses in a display of one-eye symbolism, a smoking gun for Saturn worship. 


Later on we learn that his grandfather founded a secret society known as the Witwiccans, who were entrusted with keeping the presence of the Transformers a secret from ordinary people, or the profane. The word wicca is another name for witchcraft. It is a pagan religion that involves the worship of mother earth. The shirt Sam is wearing during this scene has a picture of an alien on it with one eye, and when the character played by Megan Fox finally learns that Sam's car is alive, he says that he is a "visitor from heaven," and she asks him if he is an alien. This is an allusion to the idea of Fallen Angels, i.e., visitors from heaven, being associated with aliens. This idea is inline with the concept of Panspermia, or the belief that eons ago a master race of aliens manipulated the DNA of Neanderthals to create modern humans. They also allude that all human ideas and technology came from the Transformers throughout the history of mankind, as if they were silent gods who were gently leading humanity along. There is a scene  in the second movie when actor John Turturro, playing the character of a secret government agent, begins to associate ancient hieroglyphics with aliens. The scene takes place in an underground bunker with a ladder going up and disappearing into light. It has an eerie similarity to this famous Masonic image:


The ladder in the scene is even coming from the left, exactly as shown in the image. This represents ascending up a ladder into light, or illumination. To see just how the scene is displayed I recommend watching the video I posted above. Turturro's character begins to make these connections in the first movie when he reveals that the government has known that technology such as "microchips, lasers, space flight, cars and the reverse engine," came from Transformers. When Megatron is introduced he is in a frozen state and in the possession of the U.S. government. They refer to the robot as MB1, and the same hieroglyphics on the cube are found on the robot's body. Sam explains that the Transformers call him Megatron, and that he's like the "Harbinger of Death," and "wants to use the cube to transform human technology to take over the universe." The harbinger of death is an allusion to the Grim Reaper, another name for Saturn. Those who worship

Saturn believe that Lucifer has power over death, and is waiting to take the souls of men away to Hades, or the underworld. They believe he is the reaper of souls. Let me clarify something about Saturn. If you go back and study Greek mythology, Kronos (Saturn to the Romans) was one of the twelve Titans born to Gaia (mother earth) and Uranus (the sky), i.e., the union of the heavens and the earth. He was told a prophecy by his mother that one of his children would destroy him, so every time his wife (Rhea) would give birth he would eat the child. He was associated with time as a relentless and destructive force, because eventually, time devours all things. He was also the god over grain and crops and was depicted as an old bearded man carrying a scythe or sickle. Do you see the connection? Time will eventually come for all of us because, after all, no one escapes death. This myth is eerily similar to the story of Nimrod in the book of Jasher, which I covered in my last post. Some of his diviners told him that the child Abram would one day destroy him and take over his kingdom, so he demanded Terah to bring the child to him so he could kill it. Terah did not want Abram to die so he brought a different child and said it was Abram, which Nimrod brutally murdered by smashing the child's head on the ground. I can't help but wonder if the myth of Kronos is where the idea for child sacrifice and cannibalism came from. 

Megatron is an interesting name for the villain in these movies, because there is a classic story in mythology about an archangel named Metatron. He was supposed to have been a mortal who "ascended" and became an archangel. In Jewish mythology he was thought to be Enoch, in Egyptian mythology he was Thoth the scribe. He was famous for his symbol of sacred geometry, known as Metatron's Cube. The cube represented the "flower of life," or the "force" that gives life to all living things and form to all matter in the universe, not unlike the Allspark, the cube that Megatron wants to use to "take over the universe." I don't think this similarity in names is a coincidence: Metatron the archangel and Megatron the fallen angel. 

Another blatant reference to Saturn in the movie is the scene when the police car transformer, one of the bad guys, a Decepticon, is introduced with the words, "to punish and enslave" written on the side of the car. Saturn is the god of punishment and restriction. He puts "time" limits on you and forces you to obey him. But this scene has more than one esoteric meaning. It is not a coincidence that they are using a police car to send this message, because it is a message that we all are living in a police state, which has grown exponentially in power since 911 and was birthed even before that. They will use this police state to usher in the beast system. How else could the beast have power to kill those who don't worship him unless he had control over all the world's police? Also consider that they could use robots (just like portrayed in the Transformers movie) like Robocop, or another form of artificial intelligence that could replace human police officers. 


Before we move on to the second movie, there is a scene towards the end that is dripping with esoteric symbolism. The transformers entrusted Sam with the cube, which he will use to "kill" Megatron at the end of the movie. But before this happens, Sam is running through a building with cube in hand, and the scene shows him entering a doorway, in between two pillars, and ascending up a stairway emanating with light. This is masonic symbolism which represents illumination. But more than that, it represents overcoming the mortal prison of the cube through ascension. The Masons do this through initiation of advancing degrees. The movie scene is reminiscent of this Masonic image:

When Sam reaches the roof of the building, the scene flashes to him carrying a burning torch, which is an allusion to Prometheus, who is "burning the eternal flame." Prometheus was the Greek demigod who stole fire from Mount Olympus and gave it to humans, and for this deed was punished by Zeus by tying him to a rock and allowing birds to eat his flesh and consume his liver for eternity. He is a representation of Lucifer, who was also punished for bestowing man with the gift of intellect in the Garden of Eden. According to D. Christian Markham, who I have quoted extensively on this blog, Lucifer wants us to think that he, like Prometheus, is simply misunderstood, and undeserving of the punishments he has received from God:
Lucifer attempts to paint himself like unto Prometheus - as a misunderstood caretaker of the human race. Lucifer twists his role in getting Adam and Eve to eat the fruit of the Tree of Knowledge of Good and Evil as an act of mercy, empathy, and generosity to set mankind on the path of being like God - in being the instrument in providing them an intellect wherewith they can begin to understand good and evil. In Lucifer's own eyes, he sees himself as the perpetual victim of an unjust, undeserving Almighty God. (There are Save Two Churches Only, Vol. 1, p. 23)

The next movie came out in 2009, and in the very name itself, Revenge of the Fallen, they are sending a subliminal message about Fallen Angels. It is revealed that Transformers began working with humans as far back as 17000 BC, and have secretly led humanity by the hand, taught them esoteric knowledge about the universe, and revealed to them advanced technology. This idea comes straight out of the book of Enoch, who asserts that Fallen Angels taught man how to make weapons, as well as the arts of alchemy, sorcery, and witchcraft, how to get high from certain plants and mushrooms, and astronomy and astrology (See chapter 8 of the book of Enoch). Sorcery, magic, and witchcraft are not superstitions, they are real, and based upon quantum physics and quantum mechanics. Remember that Satan does not have a veil and knows Godly science, which he reveals to his followers in a corrupted form that he uses to get them to worship him. John tells us that the Anti-Christ will be able to reign down fire from heaven in the sight of men, which he will us to deceive the very elect. 

The theme of the second movie is basically that the "fallen shall rise again." Again, this comes straight out of the book of Enoch, who declares that the Fallen Angels will be released from prison and will come forth in the days of "slaughter and destruction" (Enoch 15:10). They reinforce the theme of Fallen Angels by subtly inserting a theme of lust involving humans and machines. If you've seen the movie you'll remember the little robot having its way with Megan Fox's leg, and Sam being seduced by a "hot" college girl who turns into a robot and tries to kill him. This is all subtle indoctrination of how Fallen Angels "mated" with human females tied in with modern technology and AI. There are people now-a-days who are married to actual robots, which are programmed for sexual intercourse. One of the signs that we are moving into an age similar to the days of Noah is that the imaginations of men's hearts are only evil continually (See Moses 8:22). As we draw nearer to the Lord's coming, this phenomenon will only get worse. 

In the second and fourth movie, characters are thrown in that represent Lucifer himself. This is subtle but becomes obvious if you know what to look for. In the second movie Sam is a freshman in college and there is a scene where he is sitting in an astronomy 101 class. The professor opens the class with the line, "space, time, gravity," and takes a single bite out of an apple and lets it drop onto the floor and roll out into the front row of students where a girl picks it up and looks to be having sexual tension with him. He says to her, "finish that for me." The exoteric meaning is an object lesson for the law of gravity, the esoteric meaning is Satan's tempting Eve with the apple in the garden of Eden. The professor is bestowing the gift of intellect to his students. The scene actually begins with the professor holding up a pocket watch, which is another allusion to Saturn and time. After the apple incident and a short introduction of the class, he says the following to the students, "I shall be your consort, your guide, your chaperone, into the heart of darkness." Again, the exoteric meaning is that he his going to teach them about space, the esoteric meaning is that he is going to initiate them into the mysteries, an allusion to the Mystery schools. He then brings attention to two very important constellations to Mystery Babylon, Virgo and Orion. When he introduces Virgo, he looks at the girl who is holding the apple and quite seductively says, "the virgin," and he refers to Orion as "the great hunter." He tells the class that these constellations have a "savage, throbbing and pent up energy," which is an allusion to Nimrod (the great hunter) and Semiramis (the virgin). It is also a reference to Ashtoreth and Baal, Osiris and Isis, or any other pagan god couple in any other culture. It is all about sex magic to the occult. It is sex that creates the mythical demigods that they encourage the profane to worship, which is why an Egyptian obelisk is a shrine to Horus, who was born out of a union from Isis and Osiris, who was temporarily resurrected for that purpose. This is how Satan attempts to destroy the sacred creative power given to us by God. 

Now speaking of resurrections, there is another scene where John Turturro is on a pay phone talking to someone about a "possible resurrection," and referencing the "back of a one-dollar bill." Later on there is a scene with John's character looking at a pyramid through a telescope, not binoculars, and seeing battling transformers destroying the top of it. Again, we have the one-eye symbolism and the unfinished pyramid, which we also find on the back of a one-dollar bill. They are just throwing it in your face at this point.


There is another scene following the resurrection of Megatron, who Sam killed with the cube in the first movie, where Megatron is speaking to another Decepticon named Starscream, who says, "I was relieved to hear of your resurrection." To which Megatron replies, "even in death there is no command but mine." Here he is referencing that Fallen Angels never die because they are evil spirits, time and space do not exist for them, they are outside of the cube of mortality. In the following scene he is talking to a three-eyed king robot, which is symbolic of opening the third eye, who says this to him, "you have much to learn my disciple, the cube is merely a vessel, its power, its knowledge, can never be destroyed." The word disciple is a direct reference to Jesus Christ, and here they are mocking Him and attempting to take His place as God. This is a subtle discrediting of the divinity of Christ. Throughout all these movies there are themes of "sacrifice" and "resurrection," and there is one scene where Shai Labeouf can be seen lying on the ground with his hands out to his sides, as shown below:


This gesture is extremely Satanic. It is a mockery of Jesus Christ on the cross, and can be a symbol of the Anti-Christ. Notice how his arms are tied down, similar to Jesus being nailed to the cross. Don't be fooled folks, this is not just entertainment, an agenda and a message are being deliberately pushed. 

Before moving on there is one more scene that is a prelude to the next movie, and it has to do with portals and the underworld. They discover a portal which takes them to a barren wasteland (somewhere in the middle east), which is a representation or Hell, or Hades. Out in this desert Sam discovers an entrance to an underground cavern where he finds the "Matrix." When he enters the doorway there is a sun symbol on top (the wings of the phoenix) and a pillar on either side. The Matrix is a conduit for the power of Primus, the "creator" of the transformers. It contains the power to create new transformer life or to communicate with leaders who have passed away. In other words, it is a channeling device. And, as we shall see in the following movies, the transformers do not like their creators, and they are painted as evil and unjust, which is not unlike how Satan portrays the true God. 

The third movie, Dark Side of the Moon, came out in 2011, and begins with two well-known conspiracy theories: the moon landing and JFK. As the video points out, this may be an attempt to reach out to those interested in conspiracy to twist the truth around and confuse them. Also the title itself has occultic underpinnings, and is also the title of Pink Floyd's famous album released in 1973. Don't get me wrong I'm a huge Pink Floyd fan. I play guitar and have been playing David Gilmour's solos for years, but like many other bands they were also most likely into the occult. Their music and light shows were designed to mesmerize and hypnotize you. The Hebrew word for snake in the Old Testament is Nacash, and it also denotes "diviner" or "shining one," and is synonymous with witchcraft, sorcery, and soothsaying. And a soothsayer lures you in by mesmerizing you and putting you into a trance, at which point he can manipulate your mind and use you for his own ends. In light of this just consider the lyrics from one famous track of Pink Floyd's Dark Side of the Moon album, called Brain Damage:
The lunatic is in my head. You raise the blade. You make the change, you rearrange me 'till I'm sane. You lock the door and throw away the key. And there's someone in my head but it's not me...

The phrase dark side of the moon implies a myriad of occult ideas such as dark matter, conspiracy theories the government pushes to create confusion, alien lifeforms, and CIA black ops and mind control programs such as MK Ultra. The exoteric meaning of the album is that an unfulfilled life can lead to insanity, the esoteric meaning is that there is a higher power subtly controlling our minds and directing us for "good." But, as always, the best evidence for Pink Floyd's being into the occult is their symbolism, as seen below:


The image is supposed to be a prism with light shining through and creating a rainbow. But this is obviously a pyramid, and the light is hitting it just below the capstone, making the bottom part a trapezoid, or unfinished pyramid. It also symbolizes transformation, represented by the light undergoing a change as it passes through the pyramid, which could be a subtle message for initiation into the mysteries. The word pyramid is comprised of two words, pyro and middle, which gives it a sexual connotation, as in fire from our mid section. This goes back to the phallus of Osiris and the generative force. Notice the light is "penetrating" the pyramid and producing something new on the other side, symbolizing creation, or procreation. Also keep in mind that the rainbow itself can be an occult symbol for prosperity and fertility. I don't have any definitive proof that Pink Floyd was into the occult, but it certainly seems as if they were. After all, they sold almost as many albums as the Beatles, and you usually don't get that kind of fame without selling yourself to some unseen power. If you're wondering how that works just watch this admission from Bob Dylan:


One more thought before moving onto the esoteric meaning behind the third Transformers movie. There is a scripture in Ezekiel that seems to suggest that Satan was musical in the pre-existence. If this was true then it makes sense that he would use music to mesmerize, hypnotize, send subliminal messages, and deceive us today:

Thou hast been in the Garden of Eden; every precious stone was they covering, the sardius, topaz, and the diamond, the beryl, the onyx, and the jasper, the sapphire, the emerald, and the carbuncle, and gold: the workman ship of thy trabrets [drums] and pipes was prepared in thee in the day thou wast created. (Ezekiel 28:13)

The scene that introduces Sam's girlfriend in the 2011 movie opens with her attempting to seduce him with a white rabbit stuffed animal. Until I watched the video I did not know what a white rabbit means in the occultic world. Apparently it brands the actress as a sex slave and illuminati puppet. During the scene she is also wearing a leopard shirt jacket, which is a symbol of lust. The actor who plays Lucifer in this movie, Patrick Dempsey, is Sam's girlfriend's boss, who ends up giving her a car worth over $200K. This is an allusion to how Satan bribes his followers with fame and riches. Then there is another scene where Dempsey is talking about how technology can be sexy like a woman, specifically how cars have curves, which presents this idea of humanity becoming attracted to machines. 

There is a scene that takes place around the Washington Monument, which is a giant phallus representing Horus, that shows dozens of flying pillars hovering above the pool surrounding the obelisk. Megatron then shoots the head off of the Lincoln Memorial, who represents the American seat of government. This is subtle symbolism for Fallen Angels, or evil spirits, directing and manipulating the government from behind the scenes. The pillars, symbolic of the pillars of Hercules, are being used to open up a portal, or worm-hole to another dimension, a barren wasteland on the, wait for it, dark side of the moon. It's no coincidence that this is happening directly in front of an extremely Satanic memorial, the Washington Monument, because this area is demonically charged. This portal represents a stargate, which is an opening to another dimension allowing demonic entities to pass through. In the movie these entities are Decepticons, who rise up out of the ground, emerging from Hades, and pass through the portal to planet earth. They are portrayed as hideous creatures making animal sounds, snarling, and wreaking havoc. 

What is the significance of this scene? Believe it or not it is a reference to the book of Revelations. Or at least I believe it is. Before you stop reading just hear me out. In Revelations chapter 9, there is the strange account of locust-like creatures emerging from the bottomless pit. John sees an angel who has the key to the bottomless pit, and when he opens it these creatures emerge who have the face of a man, the teeth of a lion, breastplates, wings, and scorpion tales. They are given the power to sting men for five months, their sting won't kill the men, but they will wish they were dead from the agony it will cause.  These locust-scorpions have a king, who John identifies as follows:

And they had a king over them, which is the angel of the bottomless pit, whose name in the Hebrew tongue is Abaddon, but in the Greek tongue hath his name Apollyon. (Revelations 9:11)

I think it is very interesting that this reference is chapter 9, verse 11, in light of the esoteric meaning of that number. I checked the JST version of this chapter and found a significant change in verse one, which only involves a single word. The KJV reads as follows:

And the fifth angel sounded, and I saw a star fall from heaven unto the earth: and to him was given the key to the bottomless pit. (Revelations 9:1)

In the JST version the word star is replaced with angel, which gives us a big clue as to who this angel is. What famous angel fell from heaven? Obviously Satan. In verse 11 John reveals the angel's name in Greek, which is Apollyon, or Apollo. The meaning of that name is the Destroyer, which is exactly what Satan is. In occultic circles they believe that the portal known as the bottomless pit is the hexagonal vortex on Saturn. That is why the hexagram is so significant to them and is such a powerful talisman in witchcraft and sorcery. They believe it is some kind of link between our world and the demonic realm. Of course, they don't view these entities as demonic, to them they are benevolent spiritual beings of light who are leading and guiding them, but to Christians who study God's word, they are just plain old demons. We don't know if the locust creatures John saw released from the bottomless pit are literal or figurative. They seem like something straight out of a sci-fi horror like Stephen King's The Mist. If you've read the book or seen the movie you'll remember almost the exact same theme: a portal being opened to another dimension and gigantic insect creatures coming through and killing everyone. This stuff doesn't come out of a vacuum, it has a source. 

There are a few more pertinent points to the third Transformer movie before moving on. There is a scene just before the action-packed fighting that takes place at the end, where Patrick Dempsey, the actor portraying Dylan (who is actually working for the Decepticons), is appearing to have his last supper, which is again, a mockery of Jesus Christ. Remember that Dylan represents Lucifer in this movie, in the esoteric sense. He has taken Sam's girlfriend and when he comes to get her Dylan reveals who he really is, and as he gets up from his meal the scene flashes to him standing in between two pillars, and he says these words, "when it's not your war, you join the side that is going to win." This is an allusion to the Hegelian Dialectic, which involves building up both sides of a conflict to profit. If you've studied conspiracy long you will know this principle all too well. What happens next will blow your mind. Dylan apprehends Sam and actually places the mark of the beast on him. In the movie it is supposed to be a device to force Sam to betray Optimus Prime, but Dylan places it on Sam's right wrist and it appears to mingle itself with his DNA. After placing the device on him Dylan makes the following remark, "it has a nasty little bite, doesn't it? It's very high tech." It resembles a robot-scorpion-watch that appears to move freely until it finds Sam's wrist and then locks down on it. If he doesn't do what he's told it will punish him with a torrent of pain. Here is what it looks:


The last scene with major esoteric implication is at the end when they repeat the entire theme of another world merging with our own. Optimus is on a building, standing in between two pillars, one red and one blue, while Dylan (Satan, or Apollyon) is attempting to open a portal to another world. Here they are revealing the plan to you all over again so it becomes ingrained into your mind. The colors red and blue have significant meaning to the occult. Optimus Prime is red and blue, and from the movie The Matrix we have the red pill and the blue pill, even the colors of republican and democrat are red and blue. To find out the esoteric meaning behind these colors I recommend this video:


The next movie came out in 2014, and is called The Age of Extinction, staring Mark Wahlberg instead of Shia Labeouf. In this movie it is revealed that millions of years ago the "creators" of the Transformers covered the earth in a metallic alloy called "Transformium." They spread this substance through devices called "Seeds," which covered the earth in a "flood" that wiped out the dinosaurs. Can you see where this is headed? Fallen Angels came and mingled their seed which angered God who sent a flood to destroy the earth. How many different ways can they tell the same story? In this movie Optimus meets his creator, who he finds out created him to be a slave. Here is what one Transformer said about the creators:

Species mixing with species, the creators..., they don't like it. It upsets the cosmic balance. They built you to do what you're told.

Again, this sounds like it is straight out of the book of Jasher, which I quoted in A Generation of Vipers (part one), describing a condition where man was being taught the mixing of one species of animal with another (see Jasher 4:16-21). 

The Transformer's creators are deliberately being portrayed as controlling and narcissistic to once again paint God as the bad guy (think of the story of Prometheus). One of the main themes of the movie is that man can transcend above God, as if God is some backwards control freak stuck in the past. Stanley Tucci is the actor playing Joshua Joyce, head of a big tech company that manufactures Transformers. He told Optimus that he was expendable because they had the technology to make new machines on demand. The name of the first model was Galbatron, and Tucci reveals the problems that come with playing God:

I modeled Galbraton after Optimus Prime. Why does he keep looking like Megatron? Simple coding. Algorithms. Math. Why can't we make, what we want to make, the way we want to make it?

In other scenes Tucci makes interesting statements that allude to this idea of transcending above God. He tells one scientist who is just discovering that metallic alloy caused an extinction event, "you have no idea what's been happening here, we're about to make the quantum leap," as he rips up her research. In another scene he scolds his employees for having the wrong music playing. When he walks into the building he wants to hear "the sound of transcendence." 

At the end of the movie Optimus makes another reference to the flood. He tells the people of earth that "our creators destroyed your world," and gave this speech while holding onto one of their destructive "Seeds":

This seed belongs to our creators. Whoever they are. There remains a price on my head. I endanger you all if I stay. I shall take it where it can never be found...

Whenever you look to the stars, think of one of them as my soul...

There are mysteries to the universe we were never meant to solve, but who we are, and why we are here, are not among them. Those answers we can carry inside. I am Optimus Prime, and this is my message to my creators: leave planet earth alone! 

Can you see the message? The Fallen Angels are attempting to intercede on earth's behalf to protect it from who? The creators, or the Elohim or Gods. Do you see how they turn things upside down? How they call evil good and good evil? There are two more movies, The Last Knight that came out in 2017, and The Rise of the Beasts to be released in the next year or two. The video I posted earlier does not cover The Last Knight but it's based on King Arthur and the Knight's of the Roundtable, secret societies, royal bloodlines, etc. Here is a summation of the first four movies: the first movie introduces you to Saturn worship and the cube, the second movie introduces you to Fallen Angels and gateways, the third movie takes you through those gateways or portals, and the fourth movie combines it all together into the idea of transcendence. 

We have been deceived into believing that Hollywood productions are just pure entertainment, but make no mistake, you are being subliminally programmed. This story of Saturn, Fallen Angels, and transcendence without God is being told in these movies, but in such a subtle way that if someone like the White Rabbit Youtuber tries to point out the meaning, most people would laugh him off. Yet deep down in the psychological abyss of the subconscious, the story remains, to prepare your mind to accept the future Anti-Christ. Unfortunately, human beings are highly influenced by suggestive programming. Our minds are like sponges, soaking up every last bit of propaganda and storing it in a database that can be retrieved later, all without the awareness of your conscious mind. 

Speaking of movies, the band Goo Goo Dolls wrote a song called Iris for the soundtrack of a movie called The City of Angels. The film stars Nicholas Cage, who is an angel that, wait for it, falls in love with a human woman, and gives up his immortality to be with her. The song Iris was written from his character's point of view, and there is a line in it that has always made me think. It goes like this:

Everything feels like the movies, yeah you bleed just to know you're alive. 

We are literally surrounded by so much entertainment, propaganda, feel-good stories, legends, tall-tales, and folklore, that sometimes it's easy to be so wrapped up in it that we forget we are alive. Our minds are powerful, and can create moral narratives out of whatever propaganda we are exposed to. If you watch television and movies, this is happening in your mind whether you realize it or not. The only way out is to wake up. God and His angels are literally shouting at you to wake up, but most of us are in a deep sleep. The scriptures are full of this imagery. They are shouting in our ears to, "awake to a sense of our awful situation" (Ether 8:24). Everything that we are exposed to that is not the Iron Rod is lulling us back to sleep. You can't be neutral, you can't just exist, because the powers that be, those that reside in the spiritual realm, the principalities and powers, will overtake you if you don't wake up. And once you are awake, you have to fight. We are in a spiritual war that began eons ago. It won't be over until Christ triumphs over Satan and his legions, and they are cast down to the lake of fire. In the meantime, these demonic forces want to destroy you, both physically and spiritually. I'll leave you with the words of Paul:

For we wrestle not against flesh and blood, but against principalities, against powers, against the rulers of the darkness of this world, against spiritual wickedness in high places. 

Wherefore take unto you the whole armour of God, that ye may be able to withstand in the evil day, and having done all, to stand.

Stand therefore, having your loins girt about with truth, having on the breastplate of righteousness; 

And your feet shod with the preparation of the gospel of peace;

Above all, taking the shield of faith, wherewith ye shall be able to quench all the fiery darts of the wicked. 

And take the helmet of salvation, and the sword of the Spirit, which is the word of God;

Praying always with all prayer and supplication in the Spirit, and watching thereunto with all perseverance and supplication for all saints... (Ephesians 6:12-18) 

Postscript: Study Helps

There is another YouTuber that I recommend that has an entire series called the Days of Noah. The video below is just one in that series, but it is all about Saturn.


Vipers VI: Offending the Little Ones

  Previously: Vipers V: Demons in Alien's Clothing Throughout this viper series, I've endeavored to give you an idea of who these pe...